Meet the Founders: Do It For Yourself Podcast

This week we talk to Manchester-based creatives Laura Frances Heitzman and Foxanne about navigating freelance life, female friendships and working in North.

Laura (L), Foxanne (R)

Lovely to speak with you both, can you tell us a bit about yourselves, what you do and how did you meet?

L: I’m from Manchester, I’m a freelance illustrator, mural artist and designer. I currently work from home, but I’m hoping to get into a really cool studio sometime soon.

F: I’m also from Manchester, I’m an artist,  illustrator, designer, just an all round creative gal. I always find it weird to introduce myself, if its creative, I’ll give it a go! I currently work from a studio and my little doggo studio assistant, Luna, comes with me.

L: We met online through Instagram. We slid into each others DM’s! 

F:  A few weeks after meeting on Instagram, we realised we both lived down the road from each other, such a small world! 

Laura’s Feminist Calendar inspired by the people and places of Manchester

The podcast sounds like a great idea, how did you come to the decision to make one?

L: Well, we realised we had so much to talk about. We were always talking in depth about the creative industry as we are both freelance designers, problems we’ve faced and great things that have happened to us. We also had loads in common and talked a lot about our lives and realised we were having a LOT of deep chats, so we thought why not have these conversations on a podcast.

F: We wanted to try something new together and we feel like we could help people who are just starting out in the industry. We’re both very open, sometimes too open haha! With being very present on social media, I’ve gotten used to speaking to an audience on my Instagram stories, but I felt like we had a lot to say so long-form content felt like the next step. I’d wanted to start a podcast for a few years now but after a deep FaceTime chat with Laura we both thought it would be nice to do it together.

What would you like listeners to get out of the podcast?

F: When I’m in the studio by myself I stick podcasts on so I feel like I’m not by myself. Working for yourself can be quite lonely. I find educational podcasts super helpful, but sometimes it can be very info heavy, I struggle with my attention,  I can’t casually listen to informational podcasts, I have to actively listen to them. But I wanted to create something that is Laura and I waffling about our lives and  our careers with little educational tips that people can subconsciously take in. 

L: For me, podcasts help me to feel less alone whilst I’m working at home by myself because being self employed can be really lonely. It would be really lovely to know that we could be that for other people in the same situation. We want to be as honest as possible, and for people to know that they will get full transparency when they listen to the podcast so it can be comforting to know that it isn’t all rosey and we have ups and downs too.

Design by Foxanne

What have been some of the positives and drawbacks of making a podcast?

L: For me, I feel like the biggest drawback is the time it takes to plan, produce and edit etc. Its very time consuming but it’s definitely going to be worth it for sure. I’d say the most positive thing is being able to connect with so many people. We’ve already connected with lots of creatives and business owners, and that list is only going to grow, especially when we get more guests on board.

F: Following on from Laura, the content creation and the planning is very time consuming as we produce, film, plan edit, schedule everything ourselves. Me and Laura are chatting everyday on voice notes about our lives or the podcast. Because we spend so much time together now I really think it has helped our friendship blossom. Crazy to think we only met each other in real life less than a year ago! The positives are definitely meeting so many people through it. The community we are already building through our podcast honestly makes the long nights and frantic FaceTime calls worth it. I couldn’t of chosen a better friend to go on this journey with.

What individual perspectives do you bring to the podcast?

L: We both have different design backgrounds. I studied fashion design at university whereas Foxanne studied contemporary art. I worked in the industry as a designer working for a supplier for two years before going freelance, and Foxanne went straight into freelancing so its great we have those different experiences.

F: Laura creates sassy illustrations of powerful women in fashion, which she then sells products in her shop, whereas I focus more on typography and funky random illustrations and I work with a lot of businesses on their branding, product design, surface pattern design etc. With us both coming from different starting points, Laura with her fashion and me with my painting and contemporary art I think we both give different perspectives. I’ve never worked ‘in industry’ so I find myself invalidating my skill which we’ve found a lot of freelance artists who have never worked in industry feel the same way too. It’s great to have us both share our own views on things.

A design from Laura’s newly launched Feminist Calendar

Outside of that, what are you both currently working on?

L: I’m working on some new products for my shop. I’m also booking in for lots of markets around Manchester too, I want to make sure I have at least one booked every weekend because I love meeting customers and other small business owners, its great to get that social element to the job. I’m working on some t-shirt designs with a new brand that’s soon-to-launch in the next couple of months, I cant wait to share what we’ve been working on soon. I also have a potential mural design in a bakery which is really exciting.

F: I’ve recently shut my online shop after two years to focus on client work. So scary yet so exciting. I’m currently working on my rebrand for my business and I’ve got a few branding projects for clients on the go plus repeat pattern designs for some international clients. I’m also trying to learn how to create art for me again, a big switch up in styles is happening. Its all go go go in the world of Foxanne at the mo! 

Both Manchester-based, what are some of your favourite things about the city?

L: Where do I start! I just love it here. It’s a very friendly city, I’d say. Most northern cities are I think. There’s a very arty vibe in Manchester which I love, the street art is incredible. There are loads of really cool independent businesses here. The Northern Quarter is my favourite, there’s so many cool bars, restaurants, coffee shops, vintage shops and boutiques there. I just love it, its amazing.

F: I don’t think I could ever move out of Manchester, when I have days out in different cities by the end of the day I just want to get back here. I love the people, omg the people are so nice! I think Laura has summed it up nicely, there’s something for everyone. There’s so many people from all sorts of walks of life and we all have lobby chats over a nice cold pint of craft beer.

Laura, you recently created illustrated calendar depicting a range of women in different parts of the city, do you find Manchester an inspiring place, creatively speaking?

L: Yes, I feel like every time I walk around town I feel inspired. Like I said earlier, there’s so much street art and there’s so many fabulous people wearing fabulous clothes too, everyone is encouraged to be an individual here. I love the architecture too, which is why I really enjoyed creating the illustrations for the calendar. 

How about you Foxanne?

F: Manchester forever inspires me. Manchester celebrates art like no other city (imo). Nothing ever stays the same, I’ve lived here all my life but each time I go into town I always see something new.

Where do you think are some of the best creative places to hang out or work in Manchester?

L: Again, the Northern Quarter is my favourite overall place. In terms of specific places, I love Feel Good club, Foundation Coffee House, Chapter One Books and Ezra & Gil are my faves to both hang out in and work at too.

F: Kiera and Aimie who founded the Feel Good club are amazing. I used to go to the Freelance Fridays they used to host when they had less than 10k followers. What they have built is amazing and if you are in Manchester do go and visit! Everywhere in Manchester is so inclusive and so calming, I suffer with social anxiety but whenever I go anywhere in Manchester I feel like people get it? Myself and Laura have our face-to-face meetings in Sale Foodhall, they always have cool independent food places and they allow doggos. So my little Rescue staffy luna comes along.

What’s next for you both?

L: We actually just released a podcast episode about our goals for 2022. Personally, I want to focus on growing my mural and window art portfolio this year, along with growing my shop and working on a consistent income for myself so I have more stability.

F: I’m really manifesting big things for 2022. This is a big goal of ours but we would love to do a live show of one of our podcasts and have a panel of guests on. How cool would that be????!! Personally, I plan to work with some big brands and add those to my portfolio, I would love to go back to my routes of painting and do some murals, but 2022 is going to be about making money, making friends and building a community we can be proud of. 


You can listen, like and subscribe to Laura and Roxanne’s podcast here, and check out their work here and here.

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Community Matters: In Conversation with Danielle Rhoda, Illustrator, Animator, Designer

Originally from Poland, Danielle Rhoda moved to Manchester via Nottingham to study Illustration and Animation and has considered the city a home away from home ever since.

An extremely talented artist and illustrator, Danielle has worked with some of the city’s most exiting emerging creatives and agencies from Fuse Manchester and Yolk to cultural institutions including the People’s History Museum. Alongside creating her own prints and greeting cards, Danielle also runs The Big Drink and Draw, an online meeting place for creatives to connect with one another during lockdown.

We caught up with Danielle to talk about her love of the north, what it’s like for young creatives entering the workplace and the projects she’s proudest of.

Can I start by asking you to tell us a little bit about yourself?

I’m originally from Poland where I lived until the age of 13 at which point I moved with my family to Nottingham. I came to Manchester to study Illustration and Animation and stayed here since. I like to think of myself as a northerner at heart which you can tell by the way I love chips with gravy!

Did you know you always wanted to be an illustrator and artist?

Like many, I’ve had a strong interest in art and drawing since a young age. I’ve always loved making things, whether it was a painting or creating 3D shapes out of paper or clay. I’ve always had a thing for recreating things I saw around me. 

Although since I can remember I fancied the idea of one day creating illustrated books it wasn’t until coming onto a foundation course that I was guided towards illustration.

When approached or commissioned for a piece of work, where do you start, what does your creative process look like?

Much to my surprise I have found a new passion for research! While I do begin drawing and noting down ideas as one of the first steps I cannot progress without finding all that I can about the subject. Having developed my practice around observation I need a good set of visual prompts which ground my style. My favourite way to do so is to go outside and draw from life. Even on the day to day (before lockdown) when out and about I would often have my phone at the ready so that I could capture interesting characters. They could then evolve and merge into illustrations. That and really trying to memorise people’s quirks and funky outfits. 

Looking at your career to date, what have been some of your favourite projects that you have worked on?

To date it would have to be working with the People’s History Museum to create a visual language for this year’s set of exhibitions all around the theme of Migration. Having only been freelancing for a short time up to that point it was the first ‘proper’ brief I worked on. Such a great experience working on a topic that is so close to my heart. The team gave me pretty much total freedom and trust so I could really get playful with my style. It was also the first time seeing my characters play out in a live situation like this and on a range of scales. Of course, unfortunately, due to the lockdown, the museum has shut its doors and many events have been postponed so it won’t be until later in the year we’ll really get to delve into their exciting programme. 

You currently live in Manchester, where else have you lived and work and what impact did these locations have on you and your creative output?

Before moving to Manchester in 2015 I lived in Nottingham where I did an Art & Design Foundation course. During that time, my first ever job was working as a GA at the Nottingham Contemporary. For several years the gallery felt like my second home. I became a member of their youth program at the age of 15 and it was one of the best things I could have done. It gave me a real insight into the world of art. The team was very welcoming and I got to see many of the backstage processes to putting up exhibitions and creative events. That was a big influence for me at the time and spurred me onto pursing art. 

What are some of the challenges of your profession, or more generally in the creative industries?

Not enough information. Very soon after graduating I realised how little of the business side we got to see or understand at university. Although it seems to be slowly getting better, the industry often doesn’t seem all that welcoming to graduates with many opportunities still happening in closed circles and behind closed doors. It’s incredible to see more and more people realising this and speaking out but more needs to be done in order to make the creative industries more inclusive and less privileged.

There are so many brilliant new creatives trying their way in every year and I strongly disagree with the mindset of ‘they need to learn the hard way because we did’. Of course when first starting there are lessons to be learned but I think we all should feel a collective responsibility to make the learning as easily accessible as possible. Sharing tips, discussing experiences, introducing people, shouting out about new talent, getting real about finance (!)  and all in all feel a bit less protective of our knowledge and instead passing it on. That’s where the real progress can start, right? 

Have there ever been any barriers for you as a woman in the industry? Or generally speaking do you think the industry is diverse enough?

The workplace in general, within and beyond the creative industry is not diverse enough. I cannot believe that in 2020 one might not be able to get into a certain role because of their gender and or background. However, it does feel like right now we’re in a very important moment where this is becoming part of daily conversation. I remember sitting in a lecture where the speaker explained how the majority of creative positions are taken by white men and I being neither white or male was prepping myself for a much tougher journey than many in this field. Saying that, I’m a strong believer in marching on no matter what and having the work speak for itself. I might be mixed-raced but beyond that and more importantly ABOVE that, I am just an artist. 

What do you like about Manchester and its creative network?

The main reason for why I came to Manchester in the first place was because I’ve heard so much about its creative community. It is such an exciting place to be in right now, there’s a real sense of togetherness which is totally in line with the vibe of the city overall. I love the fact that we’re not as big as London; it really does feel like after a short while you start to recognise many faces.

The city is constantly evolving, especially in recent years, and more and more stripped back, real-talk events are taking place and I can’t wait to see what’s more to come. A little shoutout here to people, teams that made me feel more part of the community: Fuse, Yolk and of course NRTH LASS!

Do you think it is possible to have a fulfilling career in the north?

I think it is definitely possible to have a fulfilling career in the north, there are many creatives who already do and have done so for a while. We are beginning to see a real shift of focus which is coming with talks about diversity and mental health. It is no longer imperative one has to move to London in order to have a great creative career. Technology is playing a big part in this but also the general want of representing more than one voice.

With this in mind, I still believe it is harder to get yourself going outside of London or the south in general but good things don’t always come easy do they! What’s interesting is seeing how other cities in the north are rising up to the challenge and the connections we’re all starting to build. There is real creative power here and the more people realise it the better it will get. (You wouldn’t be able to tell I’m not from here, freaking love the north).

What do you love about the north?

We could be here all day! I love the people, such a warm, friendly bunch. Chips with gravy, but I think I already mentioned that. I love finding out stories about the rich heritage of the north. Especially being based in Manchester, there is so much that’s been forgotten about and is coming to light again.

I’m a real sucker for the architecture as well; layers upon layers of different styles, giving the cities a gritty but beautiful texture and acting as physical time stamps. Also have you been to a northern city in sunshine? No one has the same appreciation for sunlight as a warmth-starved northerner, the whole place comes to life.

Where are some of your favourite creative places to work and socialise in Manchester? 

Before the lockdown it was the endless list of all the beautiful cafes, like Foundation Coffee House, my fave being the one on Whitworth St, Ezra & Gill and TAAK to name a few as well as hidden bars such as Double Down and the downstairs bar in Sandinista! I’ve always been a foodie. Socialising for me means eating so I’m very much looking forward to eating out again and hope Manchester’s food scene will thrive once again. 

Outside of work, what are some of your passions and hobbies?

A trick question for any creative! Outside of work I still love drawing and art in various media be it film or music. As mentioned above I LOVE food, but in addition to eating I really enjoy cooking, it’s a great way to relax. 

Have you pursued any new pastimes during lockdown?

I’ve taken up a bit of gardening, feeling a bit wiser than my age of 24. I’ve also gone back to some forgotten, abandoned hobbies of playing the guitar and piano and have been trying to read more. A book I’m currently reading is Half of a Yellow Sun by Chimamanda Ngozi Adichie

If you could give your younger self one piece of advice what would it be?

To worry less and say yes more. 

Are there any new projects or pieces of work that you would like to give a shout-out?

Currently, I’m tugging away on a collection of greetings cards I have officially become gold foil obsessed. On top of that I’m working on some very exciting collaborations and will be sharing them soon on my ig! 


To see more of Danielle’s work and check out some of her latest projects head to her website or Instagram.

Danielle will be speaking at the next PechaKucha Night Manchester, Vol. 31 on the topic of ‘Migration’ on the 9th July, speaking about her work with the People’s History Museum and their programme on Migration.



Interview: Jenna Campbell

Images: Courtesy of Danielle Rhoda

Danielle Rhoda: Freelance Illustrator, Animator, Designer ( Maker of things)

Name: Danielle Rhoda

Job title: Freelance Illustrator, Animator, Designer

Ideas & Planning: My work usually focuses on people and places I’ve seen personally. I often begin with sketching or will turn to sketches I’ve done on-site. I used to be careful of not ‘over-sketching’ as I found that it turned out too static for my liking, I prefer it when the marks are loose and playful, often with some mistakes, it breathes life into the illustrations. I’ve never been a fan of details sketching, takes too much time and I quickly then loose focus. Like to spend a few minutes doing so and moving to the main thing! I’d describe my way of working as quite fast-paced but also carefully observed.

Finance: Just starting out in freelance so it’s in no way a stable income yet and pricing varies!

Networking: At univeristy and since I always tried to show up to various events but more for the genuine interest and networking just happens naturally then! I love to collaborate with local artists, it helps to loosen up and look at your practice from a different point of view. It’s super important to remain connected with other people in the industry, you never know what might lead to the next opportunity. Also as freelancers we might often find ourselves stuck in our own head a little bit, it’s so valuable having others to bounce your ideas off of and discuss issues as well as exciting developments.

Quote to live by – Progress is not linear

Instagram @danielle_rhoda and website www.daniellerhoda.com

Northern Business and the World of Etsy

As we move further into the digital era, curating an online presence is more significant than ever. Etsy is helping creative individuals in the North of England gain exposure and cultivate success by selling their homemade products, writes editorial intern Lauren Beesting.

Etsy was founded in 2005 and has become a thriving business model, chosen by many for its strong community ideals and unrivaled popularity. Etsy gives crafters and DIYers the chance to sell and distribute their products across the UK and overseas, allowing creative success wherever you are located.

Lauren spoke to Sophie and Kristyna; two Etsy shop owners based in Leeds, about their experience creating and selling products online. 

Sophie Howarth: Owner of SillyLoaf

Sophie Howarth and her SillyLoaf Cactus Scarf

Sophie opened her Etsy store in 2011 when she found herself unfulfilled in her office job. The store started as “extra pocket money for a fun hobby” says Sophie, but she soon realised the costs that would come with opening a store. She never expected the shop to become a full-time business, but it has been an enjoyable experience to flex her creative abilities. She is self-taught in all of her skills and has an abundance of support from her family, especially her partner. Sophie is a one-woman band and designs and produces all of her products. 

How has Etsy helped your business?

Etsy has provided me a lot more income than in the early days. It provides me with an incredible platform to get involved in the community and being part of an Etsy Team has allowed me to communicate with Etsy staff and actually influence how the platform itself runs, which is very rare.

They also have a ready-made audience that loves handmade, loves products with a story and really cares about what goes into the items in their home, and gifts they give to their friends. The opportunity to tap into that is unmissable for me as it’s exactly what my business stands for too.

Was it hard to become popular on Etsy?

I think if you do your research and learn and experiment it can work out really well for you.

What advice would you give to people wanting to start up their own store?

My best advice is to start now. Get involved in everything you can, share your knowledge and learn from everyone you meet. Don’t rely on your friends and family too much because they are not your target customer and trust me there is a customer out there for every weird and wonderful thing you could dream up. Finally, rest, learn, evaluate and change. Never give up.

Statement earrings available on Sophie’s Etsy page

What is your opinion on the stigma surrounding creative success up north?

I do think it’s a common misconception that there isn’t much of anything outside London. There are a lot more people just like you than you think, it’s just that sometimes you have to be the catalyst to bring those people together. Here in Leeds we have some incredible independent shops, a huge collective of artists selling in a shop in the centre of Leeds, lots of creative markets and fairs. If you don’t have them in your area – start one! You can probably find fellow local people hanging out online!

Kristyna Baczynski: Owner of Kriski

Wild Woman Risograph Print by Kristyna

Kristyna grew up in the Pennines of Yorkshire, her family weren’t the most creative of people, but her mother always supported her to work hard and do what she loved. Kristyna moved to Leeds for university and shortly afterwards opened her Etsy store as a side job, selling her illustrations as prints and stationary sets. 

She used the platform as a way to become accessible to her existing customers so they could find her online rather than just at events and fairs. In 2017 she became a full-time Etsy business owner, as she shared “hustle for a decade and your dreams can come true.”

Why did you choose Etsy to create your online store?

I think what encouraged me was a mixture of feeling like it was the next step naturally with selling all these products [at fairs], and then there were people who wanted to follow up and keep track of me through the internet, and then there’s the aspirational aspect what people were doing who were slightly ahead of me and I wanted to get to that place too.


Dream Studio – A3 Screen print by Kristyna

How has the experience been moving online?

Nowadays people are taking social media into their own self-promotion. Whereas when I left university no one was talking about building portfolio websites or running an online shop, and running a business, there wasn’t that focus on products and how you sell them and how you use the internet to establish it. People are so hungry for it because it’s so visible and it works. So, trying to figure out the internet at the early stages was weird, but then also being on the early edge of it I did well on Instagram initially and now I’m a steady account. My Etsy kind of grew at that point in the same way that my online presence did.

Making Things – Risograph Print by Kristyna

Have you ever encountered struggles with living outside of London?

People think moving to London is a badge of legitimacy like ‘ah I’ve made it I’m living in the capital this is where everything is happening’.

But to me I always felt like by not being in London I had way more advantages. I know someone in London who rents a room in a shared house, for the same money I pay to have a flat with my partner who is also a freelancer and we both have an extra bedroom for studio space.

In Leeds we are still connected to a city centre. We can get the train to London in two hours and yet people who live in Greater London’s commute are going on two hours as well and you just think it doesn’t really compare. I think for how much of a premium you pay on everything it isn’t worth it. 

I go down to London all the time, I work with publishers and clients in London. If I am down for a meeting with someone, I will also arrange deliveries to my stockists, and I’ll get a wholesale order for some of my products and I’ll meet about a job.

Sites like Etsy are helping to revolutionise the national success of small business owners, and creatives. No longer are we living in an age where you have to move to the capital in order to make it in life, there are growing opportunities across the country that are allowing women the creative success they’ve always dreamed of, from the comfort of their hometowns. 

A strong community is a huge deal breaker in business, without having that stronghold of support you lose out on potential to grow. Etsy is providing people from across the country with a platform that brings together crafters and creatives, providing individuals with the support and guidance of like-minded and inspiring people. 


Words: Lauren Beesting

You can find both Sophie and Kristyna’s work and creations here: SillyLoaf and Kriski

Thought Bubble’s Lisa Wood on the comic art industry

Thought Bubble is the largest comic art festival in the UK, taking place across Yorkshire and based for the first time this year in Harrogate convention centre from 4th – 10th November 2019.

This year Thought Bubble will host artists whose work is known and loved all over the world, with guests and exhibitors attending representing Marvel, DC, Black Horse, Image, The Walking Dead, Rick & Morty, Star Wars, Nickelodeon, Netflix, The Guardian, New York Times, and countless more.

Leeds-born and based Lisa Wood founded Thought Bubble to bring artists together, with the festival now moving into its 13th year, celebrating all of Yorkshire with their move to the new North Yorkshire based site. As well as founding Thought Bubble, Lisa is an internationally acclaimed comic book artist, currently working on Scarlet Witch for Marvel and All Star Batman for DC. She also recently received the Bob Clampett Humanitarian Award from San Diego Comic Con for her community work with Thought Bubble – all achieved from her rural Yorkshire home. 

Here Lisa tells us of her start in the industry, her motivation for a far-reaching festival, and the future of Thought Bubble.

How did you get your start in the comic art industry?

I’ve always loved art. As a child I used to go to Batley market with my Dad to pick up my weekly comics which I loved getting! That’s definitely where my love of comics came from.

After that I went to Bradford university and studied Art & Design there. I dabbled in some freelance illustration after that, but because it’s so difficult to start a career in freelance illustration, and art generally, I was working other jobs around that time.

I trained as a 35mm projectionist at an art house cinema, alongside that I was working part time in several comic shops. One of those comic shops was Travelling Man, it was there that I decided I wanted to set up Thought Bubble – that was back in 2007. 

The festival is in its 13th year now and it’s just huge! It’s amazing to see it grow and grow each year. Alongside all of that, I started drawing comic books about eight years ago which has become my main profession.

Photo credit: Howie Hill

What was the first comic art project you worked on and what has shaped your style since?

I kind of did a few different ones all at the same time… the first one I ever did was during Thought Bubble: through the festival we set up an anthology and collected stories from our guests, selling the anthologies and donating the profits to the children’s charity, Barnardo’s. I did a short comic book in that with film director Stuart Gordon who is probably most well-known for the film, The Animator. That was published by Image Comics and the first comics work I did.

Very quickly after that I did the cover for Elephant Men as well as about five pages of interiors for Elephant Men #54. That was around the time I set up social media pages and started sharing my work on Instagram, Tumblr, Twitter etc. I was posting illustrations up on there and ended up getting work from people like DC from that. That was my first big bit of comics work, working on DC’s Vertigo.

Getting started in Leeds, did you ever find that you had difficulty reaching out to the comic art community?

Not really, while I was working at Travelling Man I was surrounded by a lot of people in the comics industry, a lot of writers and artists. I think we’re quite lucky in the North of England to have a lot of people working for the big American publishers, that’s made it quite easy to speak to people, to find friends, and get them involved.

I think the only drawback we’ve had regionally has been getting publicity for the shows. We’ve found a lot of the press is very London-centric and so they don’t tend to cover things in the North so much. In terms of getting the actual comics industry involved though, that’s been no problem, from the beginning we’ve had so much support!

What was your main motivation for the creation of Thought Bubble and how has that motivation been realised over the years?

When I set up Thought Bubble 13 years ago, the main thing I wanted to do was to use the medium of comic books as a learning tool, to help young people and adults with literacy issues. I wanted to put on free workshops and create a stronger support network for them. 

I struggled with dyslexia growing up and left school unable to read or write properly. My experience of education was quite bad in that regard. The way I really learnt to read and write was through comic books and it showed me what a powerful medium it is and the impact it can have on young people with these problems.

I love to read now but I don’t feel like I’d be able to do that if I didn’t have those comics at the beginning. I really feel comics are a medium in their own right, an incredible medium for adults or anyone to read now. That’s why I set up Thought Bubble, it was that community aspect. That’s also something we’ve been able to grow with support from The Arts Council, The Charlie Adlard Foundation and comiXology.

How will the move from Leeds to Harrogate make the convention more accessible for a wider Yorkshire audience?

It opens up opportunities to more people in rural areas around North Yorkshire, it’s much easier to get to for those people while remaining very easy to get to for people in say Leeds (where we’re still based).

Photo credit: Kendall Whitehouse

The projects you have developed through Thought Bubble have been far-reaching and so inclusive of diverse groups and backgrounds. How would you like to continue supporting people through the festival?

We just want to continue doing what we’ve always done! We’ve put together some more ambitious funding applications to various organisations to help further our outreach work and constantly getting in touch with new organisations and working alongside existing partners. Those existing partners include some really valuable organisations like Leeds Autism services, asylum seekers & refugees organisation and Leeds LGBT organisations.

We work very hard each year to bring as diverse a group of guests as we can, that’s something we’re going to be working very hard on in the next few years.

Which comic character would you say you share the most traits with?

Uhhhhh! That’s a really hard question… Not a comic book character, but one I feel could be adapted very easily is Napoleon Dynamite. I feel more similar to him than any other fictional character I know…

For more information, including a full line-up and to buy tickets, see the Thought Bubble website.

Buttercrumble – The Female Twin-Team proving that two heads are better than one

We’re sure there are many of you out there who dream of starting your own business, whether you aspire to be your own boss, or be a trailblazer in your field, we know that making the jump can sometimes be the hardest part about realising our dreams. With this in mind, we wanted to introduce you to the women behind Buttercrumble. Not only are they one another’s cheerleader, but they are also big supporters of female collaboration and empowerment, who want to inspire strong women so that they too can run their own teams and partnerships.

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