Manchester’s Sustainable Fashion Party

Words: Amy Callaghan

Manchester is a city with a vibrant fashion and style scene. From the abundance of chic young professionals in the city centre to the students sporting unexpected combinations of vintage and contemporary clothes up and down Oxford Road, there’s always at least one eye-catching outfit on every street you walk down. And given the highly prolific vintage, second-hand and independent business scene in Manchester – concentrated in the city’s famous Northern Quarter but with outposts everywhere from Salford to Withington – it’s no surprise that sustainable fashion is finding a home in the north’s industrial epicentre. It’s difficult to imagine a more perfect apex of Manchester’s style sensibilities, vintage roots, and, of course, love of a good time, than at Manchester’s Sustainable Fashion Party, the first of its kind in the city.

Manchester’s Sustainable Fashion Party, held late February this year, in Salford’s high-ceilined, white-walled fivefourstudios, puts ethical consumption at the heart of fashion. As more conversations open up about the climate emergency, the culpability of the fashion industry in employing dangerously wasteful fashion practices is becoming harder and harder to ignore. Looking to step away from treating many finite resources as disposable, both those involved in the fashion industry as well as consumers are increasingly seeking out more sustainable and ethical practices – and those people in Manchester decided to have a party to raise awareness, support, and funds (all profits from the night went to local non-profit Emmeline’s Pantry, who provide food, clothes, toiletries and baby items to women in need and their families).

The event was organised by Alison Carlin, who moved to Manchester 25 years ago and became thoroughly involved in the arts and culture scene in the city. Founder of Ally Pally Vintage, Alison aims to encourage second-hand shopping and the fun and creativity that go along with it, along with the incomparable ethical and sustainable benefits such practices create. This attitude, in fact, shone through the whole night, particularly from those speaking about their local businesses and efforts to combat the damaging effects of fast fashion, but also in the catwalk, which showcased exactly how stylish sustainable fashion can be.

Opening the event was a poem from Kermit Leveridge, formerly of the band Black Grape, read by Kelly Hughes. In it, Leveridge effectively critiqued the fast fashion industry – as he points out “the time between new collections seems to be getting shorter and shorter” – how can this obsession with disposing of old trends and bringing in the new for a short period of time be sustained?

This conversation was continued in the panel discussion of people involved in various ways in the fashion industry, many of them local to Manchester. First to speak was Sophie Benson, a former stylist who left her job as she couldn’t reconcile what she was doing with the insidious practices that keep the fast fashion industry running. Sophie is now a freelance writer trying to raise awareness of how we can all engage in more sustainable fashion practices – her tips ranged from the everyday and expected (shopping secondhand wherever possible) to bigger picture calls to action (she recommends contacting your MP as government legislation could really help to curtail the negative and unsustainable practices of the fashion industry).

Niamh Carr, owner of brand and creative outlet NEMCEE, aims to make things to last as long as possible, as she believes that extremely high-quality garments that don’t need to be replaced are crucial to a sustainable fashion future. Every element of Niamh’s designs are considered with a view to being, essentially, irreplaceable, in the sense that they should never need to be replaced – she only uses buttons and never zips, for example, so that they can be replaced easily if necessary. Another independent business owner local to Manchester, Anita Smith, also emphasised the positive impact doing things for yourself at home can have on ethical fashion. She runs Sew What, designing and making clothes inspired by vintage styles using only deadstock, vintage or donated fabric. Anita also runs workshops showing customers how to make their own, as she believes that if more people knew how to sew, the dissonance between the price of a garment in, say, Primark, and the effort it takes to make it would be exposed more clearly – and they would realise how cheaply they could make their own clothes from charity shop fabric!

All the other panellists (Vinnie Tao of SneakerPharm, Rich Gill of Bags of Flavour, and Camilla Cheung of Wardrobe Wellbeing) also emphasised their own backgrounds and how the disconnect between their increasing beliefs in ethical practices and sustainability led them to where they are today, each running businesses that aim to promote more sustainable and ethical style choices (Camilla Cheung, for example, worked formerly in retail management then trained in counselling in order to provide a comprehensive service that links fashion and wellbeing).

The response from the comments of the whole panel from the audience was phenomenal, with many of their remarks being greeted by cheers – and when Alison herself made an appearance on stage, she brought the house down. The event clearly attracted an audience in Manchester – of all ages, and all, in my opinion anyway, very fashionable – who are deeply interested in increasing their own sustainable and ethical practices, and rejecting those of the fast fashion industry. In the catwalk immediately following the panel, the audience got a taste of what’s on offer right here in Manchester to help them do so, with outfits modelled from a wide range of local vintage, secondhand and sustainable shops and boutiques, from Suzy Loves Milo, Pop Boutique and Bee Vintage to the slightly more specific but just as stunning Camilla Vintage Wedding Dresses. Followed by a stunning performance from House of Ghetto, a vogue dancing group, and DJ’d by Danielle Moore of Crazy P, the event soon turned into another Manchester favourite – just generally a cracking night out. The success of the event can only leave us with an optimistic view of Manchester’s future as a leader of sustainability, and a hope that many more events like it are soon to follow, if only for the excellent time that was had by all.

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Pizza for the People: we all want pizza!

Written by Sophie Kelsall

On Friday 24th May, Leeds will once again host the Indie Banquet: a spectacular mash-up of street food and live music founded by Leeds-based live music promotor, Pizza for the People. The aim of Pizza for the People is to provide a platform for upcoming and newly established talent. Now on their 13th Indie Banquet, held at Wharf Chambers in Leeds, this well-established event has showcased a large number of local bands and has been a useful stepping stone for putting these bands on the musical map. These events offer a unique opportunity to enjoy the chilled atmosphere of a festival, without the need for wellies and a tent.

Ryan and Julia

Some of the bands up on the roster this year include: Trudy and the Romance, Ugly, L.A Peach and Celestial Green. VFC and OWT will also be on site to provide some tempting treats to suit all tastes, along with a number of other local vendors. These events are an incredible opportunity for the local community to come together and support homegrown talent.  

After the first Indie Banquet in 2016, the events have only gotten bigger and better, with large numbers of bands now wanting to get involved. Julia King is one half of the brains behind Pizza for the People. With over two and a half years’ worth of experience in co-ordinating gigs alongside promoting street food vendors, Julia was able to share some of her knowledge and insight on event organising with us.

How did the idea for Pizza for the People come about?

The concept of Pizza for the People arose from a mutual love of live music, festivals and food between me and my partner Ryan (the other half of Pizza for the People) and a lightbulb moment in early 2016 when we realised that there wasn’t an existing forum in Leeds and surrounding areas where you can watch live music whilst stuffing your face, like you tend to do at a festival. Our name (Pizza for the People) naturally formed from our love for pizza (!) but equally an appetite for blending our two passions: music and food and giving audiences, bands, independent venues and street food traders an opportunity to come together.

Trudy and the Romance

How has your role changed since the conception of the event?

Prior to forming Pizza for the People, my partner and I had attended countless gigs and festivals but had never managed an event before, so we knew it’d be a learning curve. We researched the market, listened and learned from fellow promotors and immersed ourselves in learning about the music and gigging industry, ahead of putting our first Indie Banquet gig on in October 2016. I’d say our roles have not necessarily changed but have evolved over the past two and half years as we’ve become more experienced and confident of what works and what doesn’t. Equally, we’ve become clearer over time as to what skills we bring to planning, designing, curating and delivering our Indie Banquet shows.

How much has the event grown over the years?

Now on our 13th Indie Banquet, the event has developed a really core audience over time and one that we really appreciate. We’ve worked with a large number of bands, some of which have come back to play for us again. In terms of growth, we’ve worked with a number of different independent venues such as Wharf Chambers, Hyde Park Book Club, Duke Studios and Brudenell Social Club and equally with a number of incredible street food traders such as Pizza Fella, Goldenballs, Dilla Deli, Little Bao Boy, VFC and cannot wait to welcome OWT to our Indie Banquet on Friday 24th May, serving up a seasonal mystery menu.

How important are events like these for getting Northern talent noticed?

I think events like these are incredibly important for getting Northern talent noticed and on the map. The music industry is an incredibly challenging one these days to make a living from, despite it being more accessible, so we think it’s important to not only showcase the really raw and incredible talent across the North but also make sure that bands are paid, treated well and given the praise they deserve at our gigs. Ethics and integrity are absolutely key to Pizza for the People. We’ve seen some really successful stories since our inception, having watched folks like The Orielles (who played our 2nd Indie Banquet) and Drahla (who played our 1st Indie Banquet birthday) blossom. It’s such a lovely feeling to watch all of their journeys.

What is your favourite part of organising these events?

That’s a really good but tricky question! For me, I think it’s two-fold. (A) Designing the line-up and finding new and super exciting artists to work with and (B) The gig itself. Watching everything come together on the night is a wonderful feeling.  

Who can attend PFTP?

Indie Banquets are open to all (over the age of 18). Those who are avid gig-goers, those who love discovering new street food traders, those who like music but are open to discovering new music and new bands. Everyone’s a winner!

What can new attendees expect on the night?

New attendees can expect a tasty, tailored menu of scrummy food washed down with a cocktail of superb bands in a quirky, intimate venue.

How can bands and food traders get involved?

Bands and street food traders can contact us via info@pizzaforthepeople.co.uk or via social media (#weallwantpizza) if they’re interested in playing or serving up delights at future Indie Banquets.

For those eager to attend this unmissable event, tickets are available for £9 via Crash, Jumbo, Ticket Arena, See Tickets and Dice. Bring your dancing shoes and an empty stomach!

Stand up to slavery at Leeds fundraiser

It’s difficult to hear the term “slavery” and apply it to modern society. Yet, the charity A21 states that there are millions of slaves in the world today; more than ever before in human history. The word is thrown around with little meaning and what minor televised context we are familiar with is only one part of the $150 billion criminal industry.

Continue reading “Stand up to slavery at Leeds fundraiser”